I have developed a project which now resides and is hosted by the Museum of Ceramic Art – New York. The project is a searchable online resource for ceramic destinations around the world and is called Ceramic World Destinations.
This compilation of ceramic destinations is intended to increase visibility for ceramics, provide professional interchange, and introduce an entirely new population to the field of clay.
You can participate by sending your favorite ceramic destinations by entering the name, country, and URL for each recommendation on this online form:
Classifications of ceramic-centric destinations are Galleries, Institutions, Manufacturers, Museums, Organizations, Residencies, Shops, Design centers, Historic cultural villages, Landmark murals, Architectural sites, Archeological sites, and special events such as Biennale competitions. Artists’ studios can be listed, but only if a studio is open to the public.
MoCA/NY’s President Judith Schwartz speaks with Adam Chau about his ongoing commitment to embracing innovative technologies into his studio practice. Watch our full video interview with Chau where he elaborates on his use of artificial intelligence and 3-D printing to direct his subjects and style.
MoCA/NY’s President Judith Schwartz speaks about Experimental Ceramics with Cory Brown about his creative use of new glaze technologies that influence his series of innovative and experimental sculptures.
He describes his journey, first as a studio potter that used the Nerikome process – a technique that involves stacking colored clay and slicing through the cross-sections to reveal a pattern – and now uses this technique with experimental glaze and firing techniques for total transformations of form, color, texture and scale.
On June 5th, I was invited to have an online conversation with Garth Johnson, Curator of Ceramics, Everson Museum of Art, and Paul Kotula of the Paul Kotula Gallery regarding the artist Howard Kottler.
I have launched a project which is a searchable online resource for ceramic destinations around the world and is called Ceramic World Destinations.
This compilation of ceramic destinations is intended to increase visibility for ceramics, provide professional interchange, and introduces an entirely new population to the field of clay.
You can participate by sending your favorite ceramic destinations by entering the name, country, and URL for each recommendation on this online form:
Classifications of ceramic-centric destinations are Galleries, Institutions, Manufacturers, Museums, Organizations, Residencies, Shops, Design centers, Historic cultural villages, Landmark murals, Architectural sites, Archeological sites, and special events such as Biennale competitions. Artists’ studios can be listed, but only if a studio is open to the public.
Unfortunately due to the COVID-19 virus, this year’s NCECA (National Council on Education for the Ceramic Arts) conference in Richmond, Virginia was cancelled. I was scheduled to be panel moderator for “What’s in a Mark,” with panelists Margaret Carney, Mark Hewitt, and Bethann Gerstein. Hopefully, we will all have the chance to reconvene again soon.
While in Mexico City in February 2020, I visited El Colegio de San Ildefonso to see the show 2501 Migrants, an ambitious and incredibly heartfelt work that placed figures in a silent sprawl over many rooms—they were just silently waiting, lined up with no place to go. It was very moving.
Also in Mexico City, I attended the contemporary Latin American art fair, known as Arte Contemporaneo ZONAMACO held at the spacious Centro Citibanamex in Mexico City. This venue had a wonderful interdisciplinary mix of Design, Craft and Fine Art, all under one roof, and was a refreshing mingling of the arts.
Another noteworthy event was seeing the first Mexico City international textile art fair known as Texto 2020. This was an exciting around-the-world tour of some of the best master artisans, social activists and designers of the handmade in textiles.
And I studied with Graciela Montaño (gracielamontanomx on Instagram), a knowledgeable chef who runs a beautiful kitchen and market study tour. I learned to make tamales along with a variety of sauces…including a white chocolate mole. Delicious.
The Jurors took a break after deliberations from the GICB 2019 Ceramic Biennale and were toured through the newly developed Ye Village. The location is a mecca for local ceramic artists who have settled in this region providing spacious studios, living spaces, galleries and museum to support the clay community near Icheon.
The Blanc de Chine international competition celebrated the rich history of porcelain by attracting artists who use this rare and difficult clay with works that dazzled and amazed the jury. The competition is meant to honor the centuries old Dehua Porcelain that was made famous for its maritime silk road worldwide distribution. It was known as “ivory white,” or “milk white,” and was referred to in Europe as Blanc de Chine. The artists selected as finalists represented work with an array of illusions, metaphors and sensitivities along with skillful and astonishing handling of porcelain. They made use of its unique ability to be made paper thin and translucent or super fine to record the most detailed nuance of textures.
The exhibition opened in Beijing and then 6 months later, opened at the Massena Museum in Nice, France where the prize-winning artists assembled at the Nice Opera House for a stunning awards ceremony that included opera soloists, choir and full orchestra.
